Thomas Golubić
Thomas Golubić is a four-time Emmy-nominated music supervisor, DJ and twice
Grammy-nominated record producer. His music supervision credits include the AMC series Better Call Saul, Breaking Bad, Poker Face, Silo, Halt and Catch Fire and The Walking Dead, the Netflix series Grace and Frankie, Space Force and Love, the Amazon series Sneaky Pete, the Showtime series Your Honor and Ray Donovan, and the HBO series Six Feet Under among many other film & television projects. In 2017 Thomas became the president of the Guild of Music Supervisors, the same year he was nominated for the first Outstanding Music Supervisor Emmy Award for his work on Better Call Saul. He received subsequent nominations again in 2019, 2020 and 2022, with GMS Award wins for Best Song written/recorded for Television in 2020 and 2023. The Guild twice awarded Thomas with Best Music Supervision in a Television Drama for his work on Breaking Bad.
Thomas was twice nominated for Grammy awards for producing volumes 1 and 2 of the Six Feet Under soundtrack album, and with former partner Gary Calamar was responsible for the use of Sia’s “Breathe Me” in the final scene of the series. It is considered one of the most memorable uses of music in television, and launched Sia’s music career in America. Thomas is also responsible for producing four soundtrack albums for The Walking Dead, Breaking Bad and Better Call Saul soundtracks, and has assembled various remix projects for EMI-Capitol Records and MGM, including reinterpretations of Peggy Lee, The Beach Boys, Henry Mancini’s Pink Panther theme and EMI’s Christmas Classics remix compilation ‘Merry Mixmas’.
Thomas is the host of Deep Cuts Lost and Found, a podcast he shares with his high school friends, all cultural obsessives, celebrating criminally overlooked songs selected by year or theme. Thomas’ formative years, musically speaking, were spent as a DJ, music programmer and on-air host for tastemaker LA radio station KCRW 89.9 FM. After ending his 10-year residency at KCRW, he turned his attention to music production and live audio/video DJ work. He formed The Arbiters, a music collective creating mash-up music and video productions, free-released two EPs, and created audio and video mash-up productions for clients including Google, YouTube, Microsoft and Levi’s.
Thomas has also become known as an innovative club DJ spinning broadly eclectic music sets, often with live synchronized visuals. His SYNCHRONIZE re-score project, featuring live DJ re-scores of classic films has been featured at the Sundance Film Festival, Bonnaroo Music & Arts Festival, Luminato Festival in Toronto, Dubrovnik Film Festival, U.S. Comedy Arts Festival, various residencies in Los Angeles, and has been profiled on Turner Classic Movies.
You can find more information about Thomas, and the SuperMusicVision team, at: https://linktr.ee/smvcrew and www.supermusicvision.com